Ethan Hayden | composer, performer, author
Ethan Hayden | composer, performer, researcher
Research 01
Research 02
Research 03
Research 04
Research 05
research

As a writer and researcher on music, Ethan's recent work focuses on the musical aspects of language, emphasizing the overlaps between music and language that manifest themselves in sound poetry and contemporary vocal music. His research—as well as much of his recent compositional work—focuses in part on phonetics and the sonic features of the spoken voice, as well as the use of nonsensical texts in experimental musical settings.

Ethan has also taught on popular music subjects, most recently teaching courses on the development of electronic music, the music/music culture of Jamaica, and the history of alternative rock musics. He is the author of Sigur Rós' ( ), an examination of the use of nonsensical texts in the titular album for the 33⅓ series, as well as a chapter on The Blood Brothers in a recent anthology from the same series.

publications
dissertation
The 33⅓ B-sides
New Essays by 33⅓ Authors on Beloved and Underrated Albums
Ethan's chapter is about hardcore band The Blood Brothers, and their album, Crimes.
( )
Sigur Rós's ( )
33⅓ series
Ethan has written a few short blog posts for the 33⅓ website to promote the book and add some additional thoughts on the album:
sound american
Sound American 19: The PLACE Issue
guest-edited by Colin Tucker and Ethan Hayden
Sound American, read the full issue here
Ethan's selections from the issue:
dissertation
"…ce dangereux supplément…" and Die Aufgabe des Übersetzers:
Two musical examinations of language and translation
Dissertation, University at Buffalo, 2016
Adamic Passions, Screams of Joy
Language and Expression in Early 20th Century Sound Poetry
Gerhard Rühm: from barely something to almost nothing
[null point words], April 2014
promotion for inaugural [null point] concert: too little/too much
Edge of the Center
Center for 21st Century Music
From 2014-16, Ethan was the editor and primary contributor to the Center for 21st Century Music's blog, Edge of the Center. Below are a few selected entries: